Arts
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After Fake Basquiats, Orlando Museum Faces ‘Severe Financial Crisis’
The Orlando Museum of Art, which mounted a major Basquiat exhibition of works that were later exposed as forgeries, is…
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Review: Hilary Hahn Gives, and Gets, at the Philharmonic
The star violinist’s appearance as artist in residence included an announcement that she had received the $100,000 Avery Fisher Prize.
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Three Festival Shows Explore Toxic Society
“Queens of Sheba” and “Volcano” at Under the Radar, and “Bacon,” at International Fringe Encore Series, expound on identity, captivity…
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‘True Detective: Night Country’ Review: Iced In
HBO’s eerie crime drama returns after a five-year break and trades in Southern gothic for Arctic horror.
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An Actor Channeling the Folklore of His Ancestors
In his theater work, Eric Berryman injects forgotten voices from the past into the present moment.
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Five International Movies to Stream Now
This month’s picks include a bizarre Mexican-Spanish thriller, a Canadian drama about immigrants, a documentary set in a Parisian dance…
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When Trailers Hit Mute on the Musical
With “Mean Girls,” “Wonka” and “The Color Purple,” why have studios spent much of their marketing budget downplaying and disguising…
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‘The Curse’ Ending: What Just Happened?
The season finale of Nathan Fielder and Benny Safdie’s horror-comedy arrived on Friday. Three New York Times critics discuss the…
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Jessie Homer French Paints Infernos but She Sees Rainbows
The self-taught artist, at 83, has a newly flourishing career. In Southern California’s high desert she fishes for trout and…
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‘The Curse’ Season 1 Finale Recap: Things Are Looking Up
A jump ahead in time finds the Siegels almost seeming happy, or at least faking it well enough. Then something…