Arts
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‘Stereophonic’ Finds Drama in a ’70s Rock Recording Booth
The playwright David Adjmi explores the in-studio creation process in a play with new songs by the former Arcade Fire…
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Well-Made, and Massively Weird: A New Theater Season in Berlin
Recent premieres in the city ranged from a spare take on the recent Broadway hit “Prima Facie” to a dose…
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Review: ‘Merrily We Roll Along,’ Finally Found in the Dark
Jonathan Groff, supported by Daniel Radcliffe and Lindsay Mendez, is thrillingly fierce in the first convincing revival of the cult…
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Sparks Fly When the N.F.L. and Pop Collide. So Does Coverage.
When two worlds — one dominated by the N.F.L. and the other by Taylor Swift — collided, so did culture…
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Morgan Wallen Returns to No. 1 in a Slow Chart Week
With Drake’s “For All the Dogs” and Taylor Swift’s rerecording of “1989” waiting in the wings, Wallen’s “One Thing at…
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It’s Drake’s Season of Discontent, Again
The rapper’s new album, “For All the Dogs,” comes after a summer of live-show triumph and extra-musical boredom.
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This Above All: My Undying Obsession With ‘Hamlet’
For one critic, every encounter with this Shakespeare play deepens her understanding of its insights into grief, family and gender.
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Ann Patchett Isn’t Parting With WordPerfect
The best-selling novelist refuses to yield when it comes to writing software, but she’s had a bit of a change…
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‘Last Stop Larrimah’ Review: The Unusual Suspects
This true-crime documentary investigates a murder case in a tiny Australian town, showcasing its brash inhabitants.
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Diving Into ‘The Exorcist: Believer’
We knew Ellen Burstyn would be back. But what else? A discussion of some of the spoiler moments in the…