Arts
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‘House Party’ Review: A Rager Gone South
Directed by Calmatic, “House Party” reboots the 1990 Kid ’n Play cult comedy with the help of LeBron James.
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Review: Paul Mescal Electrifies in a Revelatory ‘Streetcar’
In London, the Irish actor stars as Stanley Kowalski in a deeply empathic version of Tennessee Williams’s 1947 play, “A…
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‘Saint Omer’ Review: The Trials of Motherhood
A real-life case of infanticide is the basis of Alice Diop’s rigorous and wrenching courtroom drama.
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In Hale County, Alabama, Two Visions of Place
Inspired by the pioneering photographer William Christenberry, RaMell Ross moved to the Deep South and found fertile terrain. Now Pace…
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‘Hunters’: David Weil on Hunting Nazis as Collective Catharsis
The Amazon thriller, starring Al Pacino, returns for Season 2 with its sights on the ultimate target: Hitler.
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5 Broadway Veterans on Race and Representation in Theater Design
“Theater traffics in unconscious symbolism.” Set designers, lighting designers and a sound designer talk about skin tones, aesthetics and more.
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Shakespeare in the Park Will Stage ‘Hamlet’ This Summer
Ato Blankson-Wood will star as the aggrieved prince in a modern-dress production directed by Kenny Leon.
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Review: ‘The Last of Us’ Is a Zombie Thriller About Single Parenting
HBO’s video-game adaptation doesn’t reinvent the apocalypse genre. But it injects an undead story with new life.
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‘Beautiful Beings’ Review: Boys Will Be Boys Will Be Violent Jerks
In this brutal Icelandic drama, four teenagers — both bullies and the bullied — struggle and rage against a world…
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Why Do Some Films Get Restored and Others Languish? A MoMA Series Holds Clues.
History, finances and practical concerns all played a role in preserving the movies being shown at To Save and Project.