Arts
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‘Bullet Train’ Review: Ride and Die
The giddily violent bummer “Bullet Train” takes place in Japan on a high-speed train that turns into a theater of…
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‘They/Them’ Review: Scared Straight
When Kevin Bacon first appears in John Logan’s “They/Them” as Owen Whistler, a counselor at a summer gay conversion camp,…
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Tiona Nekkia McClodden Is Not Running Away
PHILADELPHIA — The artist Tiona Nekkia McClodden hit the gun range on a sweltering Monday in July. The air was…
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Black Artists Cast New Visions for the Great Migration
JACKSON, Miss. — Midday, midweek, in mid-90 degrees midsummer, the streets of a downtown historic district of this Southern capital…
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‘I Love My Dad’ Review: A Father Catfishes His Son
In his comedy, his writing and his social media presence, Patton Oswalt proves that nerdiness needn’t be a social liability.…
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‘Thirteen Lives’ Review: Dramatizing the Near Impossible
Ron Howard’s “Thirteen Lives,” a feat of endurance about the 18-day effort to rescue a youth soccer team from Thailand’s…
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‘Claydream’ Review: Same Mold Story
Will Vinton (1947-2018) wasn’t the first person to toy with clay figures in stop-motion animation, but his fingerprints are on…
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‘Memory Box’ Review: Reanimating a Painful Past
There’s a moment in “Memory Box” when Alex (Paloma Vauthier), a Lebanese teenager in Montreal, finds a series of old…
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‘Bodies Bodies Bodies’ Review: ‘Euphoria’ With Knives
Perhaps best known for releasing jaw-dropping original films like “Moonlight” and “Midsommar,” the film distributor A24 is also in the…
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‘The Sandman’ Is Coming to TV. Here’s Why That’s a Big Deal.
The Sandman, Neil Gaiman’s best-selling DC Comics series that lasted for 75 issues in its original run, from 1989 to…