Arts
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‘Back to Black’ Review: No, No, No
The facts get softened and shuffled for an Amy Winehouse biopic that leaves her perspective at the edges.
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‘X-Men ’97’ Revisits the Franchise’s Roots and Finds Them More Timely Than Ever
The Disney+ animated series builds on its 1990s predecessor, exploring themes of prejudice and change through the world of Professor…
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Mary Cassatt’s Women Didn’t Sit Pretty
The American painter depicted women caring for children, not posing for the male gaze. New exhibitions and books reappraise her…
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After Making Altars to Her Icons, an Artist Builds Her Own Legacy
A powerful and overdue exhibition at El Museo del Barrio links Amalia Mesa-Bains’s genre-defying installations for the first time.
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‘Babes’ Review: Adulting, With Babies
Ilana Glazer and Michelle Buteau star in Pamela Adlon’s pregnancy comedy, but it never quite lands.
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‘Furiosa: A Mad Max Saga’ Review: A Lonely Avenger
The fifth installment of George Miller’s series delivers an origin story of Furiosa, the hard-bitten driver played here by Anya…
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Francis Ford Coppola Accused of Trying to Kiss Extras on ‘Megalopolis’ Set
An executive producer said he wasn’t aware of complaints and called the contact “kind hugs and kisses on the cheek.”
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The Techno Pioneer Jeff Mills Blazes a Trail to Space, and Beyond
At 60, the D.J. and producer is inspiring fresh generations with new work, including an LP that approximates the experience…
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Review: Parsons Dance Spins and Darts Through Miles Davis
For its Joyce season, the company unveils “Juke,” a spiky premiere by Jamar Roberts, along with dances by David Parsons…
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A Puzzle Game With Roots in Resnais and Resident Evil
In addition to its gaming influences, Lorelei and the Laser Eyes contains traces of postmodern novels and the French New…