Arts
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‘Dawn of the Dead’ at 45: A Zombie Love Affair That Never Died
A look back at George A. Romero’s film, one of the most influential horror movies of all time, as it…
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A Steadying Force for the Africa Center Is Stepping Down
Uzodinma Iweala, chief executive of the Harlem institution, will leave at the end of 2024 after guiding it through pandemic…
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Renaissance Portraits That Played Hide and Seek
Portraits go undercover in the new Metropolitan Museum show “Hidden Faces,” about the practice of concealing artworks behind sliding panels…
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A Conversation With Deborah Feldman, an Unorthodox Voice in Germany
Feldman, who wrote in “Unorthodox” about leaving her Hasidic community in New York, has been touching a nerve in Germany,…
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There’s a Bright Spot in New York Theater. It’s Not Where You Think.
Commercial Off Broadway, a long-dormant sector of the city’s theater economy, is having a banner season. But can it last?
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‘Civil War’ Review: We Have Met the Enemy and It Is Us. Again.
In Alex Garland’s tough new movie, a group of journalists led by Kirsten Dunst, as a photographer, travels a United…
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Alex Garland Answers the Question: Why Make a Film About Civil War Today?
Even before his drama was released, the writer-director faced controversy over his vision of a divided America with Texas and…
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Where Are New York’s Best Acoustics? We Took a Listening Tour.
The composer Michael Gordon and members of Mantra Percussion tested the piece “Timber” in resonant spaces around the city. Here…
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In Martha Diamond’s Art, She Took Manhattan
What Frank Auerbach did for Camden Town, Monet did for Paris and De Chirico did for piazzas all over Italy,…
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Did You Really Need to Be There to See It?
On Monday at 3:20 p.m., the Kodak Tower, Eastman Business Park, the George Eastman Museum, and the rest of the…